‘This brilliant and well-timed anthology explores not just the horrors, but the pleasures of violence: violence as a means of reaction, regeneration, and self-affirmation.  The writers do not fetishise violence, but they approach it on its own terms.  Stripping off layers of received rhetoric, ON VIOLENCE is an extremely clear-eyed depiction of the universal American psychic climate.’ 

Chris Kraus

‘This powerful collection forces us to look beyond definitions of violence as either intentional harm or impersonal force, and our belief that systemic cruelty is the exception rather than the norm. These authors discriminate in the best sense, offering rare insights and perverse pleasures, while showing that violence is not only a matter of categorising and eliminating others, but also is tied up with how we distinguish and articulate ourselves.’ 

Paul Clinton 

‘The last century was dubbed the century of wars and revolutions, and still it bleeds on. But what On Violence reminds us is that all scales of cruelty, carelessness, and abuses of power differentials suffuse all dimensions of life. The organs and apparatuses of violence evidenced in this volume are broad in scope and application; their traumatic or galvanising effects are exposed, decried, theorised, or absorbed into fantasies that reveal them in all their absurdity. This is an exuberant book of bodies and grit heaped up in convolutions of tenderness, outrage, and sly joy.’ 

Sally O’Reilly

Travis Alabanza, Katherine Angel, Skye Arundhati-Thomas, Mieke Bal, Janani Balasubramanian,Elena Bajo, Jordan Baseman, Emma Bolland, Pavel Büchler, Paul Buck, Kirsten Cooke, Jih-Fei Cheng,John Cunningham, Andy Fisher, Caspar Heinemann, Jakob Kolding, Candice Lin, Rudy Loewe,Nick Mwaluko, Vanessa Place, Katharina Poos, Tai Shani, Linda Stupart, Benjamin Swaim,Jonathan Trayner, Jala Wahid, Isobel Wohl, Sarah Wood


VIOLENCE IS IN LANGUAGE AND VIOLENCE IS LANGUAGE. The violence of language stratifies voices into thosethat matter and those that do not, using ideas of appropriate form and structure as its weaponry. It claims propriety and politeness are the correct mode of address, when urgency and anger are what is needed. Where languages intersect, hierarchies of language become means for domination and colonisation, for othering, suppression, negation, and obliteration. The demand for a correctness of grammar, the refusal to see what isseen as incorrect, the dismissal of vernacular in favour of the homogenised tongue: all are violent. Thenarrative of history is a narrative of violence. The contributions herein refuse this narrative. They explore how violence permeates and performs in language, how language may be seized, taken back to be used against the overwhelming force of structural and institutional violence that passes as acceptable or normal. Violence maybe a force for rupture, for refusal, for dissent, for the herstories that refuse to cohere into a dominant narrative.


Edited by Rebecca Jagoe & Sharon Kivland




Purchase here



    Exhibition Images

    Performance: You are what you eat 

    She masticated nothing 


    Workshop 1: Sewing, Eating, and Knowledge 

    Workshop 2: Lorina Bulwer archive visit 


    What is consuming you 

    Scrofula I 

    Scrofula II 

The silence of the organs 

    Overnight relief 

    Pseudomelanosis Coli

    Nerve Storms

Oceanic Feeling

    The way I feel it slipping all over me 

    How deep is your love 

    Shell toes 

Significant Others

    Letters to Arm 

    Mirror Mirror 


    It has to be baby plum 

    Trying Hard to Think Pure 


Food is a convenient metaphor for existence 

    Ribolitta I 

    Ribolitta II 

    Cheese of the soul 

    Death becomes her 

Hands and desire 

    Pearly queen 


    Archive visit to Bath Fashion Museum 

Salvage Accumulation 


    Lick My legs: The Talking Cure 

    Teratoma: mesoderm


Bitter Tears 

    Lounge Lizard

    I Scream for Ice Cream 

    Every time you vent your spleen